FINDING JOE | Full Movie (HD) | Deepak Chopra, Robin Sharma, Rashida Jones, Sir Ken Robinson

fragment vertoond in rpj

They watched the movie and created the pandemic out of it.
BTW, at the end of the movie it turns out it’s all about population control. The vaccinated people die.

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Into the Silent Sea is used with permission from Andrej Landin. Learn more at http://omele.to/35qc5Wt.

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In the midst of the Cold War in the 1960s, a cosmonaut named Alexander orbits in space, adrift around the earth in his space capsule. He has lost all navigation and communication systems, and he will soon lose his life-support systems.

Alexander soon discovers an Italian radio frequency where a Sicilian radio engineer named Alvaro is working the night shift. The two men form an intense bond as they work through the night and Alexander reckons with the journey that led to the space capsule in the first place.

But as Alexander drifts away, the newfound friendship between the men may not last the night, and help Alexander find his way home.

Writer-director Andrej Landin takes a meditative, thoughtful tone in his sci-fi short about the mythic "lost cosmonauts" that were a supposed casualty of the so-called "space race" between the U.S. and the Soviet Union to be the first to send a human in space.

The story has the plot points and development of a thriller, with its elements of space travel and potential disaster. But the beautifully considered craftsmanship and pacing are steady, introspective and measured, with an emphasis on emotional resonance. The images have an elegiac power, full of natural beauty, light and texture, emphasizing just how rich life on earth can be.

Alexander's memories of his training -- and a particular love affair with a fellow trainee named Tanya -- suffuse the film throughout via flashbacks, bathed in the golden hues of warmth and contentment. It can be hard for shorts to integrate flashbacks into the storytelling, but these memories form the sociopolitical context of the story, as well as the emotional core of the film -- and give viewers a palpable sense of loss once we realize just what Alexander is losing as he floats in space.

Through the understated dialogue and the equally subtle, resonant performances that bring it to life, Alexander's bond with Alvaro forms his final, last attachment -- one that helps him come to terms with his fate, appreciate the richness of the life he has to leave behind and find meaning in the sacrifice that he made before he left earth.

"Into the Silent Sea" falls into a rich tradition of sci-fi films that use the vacuum of space and the unthinkable breadth of the cosmos as rich metaphors for the human condition, in all its ultimate helplessness and solitude. It takes its time to tell its story and develop its characters, but the result is a moving, emotionally immersive cinematic experience that tells an unusually full and complete story, with an ending that is bittersweet in its wisdom. As Alexander says, "We live as we dream... alone." But we do carry the richness of memories and love within us, providing some comfort in our final journeys.

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A Soviet cosmonaut who is stranded in space discovers a voice in the distance. | Into the Silent Sea
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Pawns is used with permission from David Barbeschi, Tyrees A. Lamptey, Charlie Kelloway and History In the Making. Learn more at http://omele.to/2Eq4dpN, http://omele.to/2CdJd3x and http://omele.to/2H8L3Gv.

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Two chess players are locked in a match in 1973. Their battle on the board reignites the memory of their first meeting during the Great War of 1914, where a young British soldier finds himself sharing an enclosed space with an enemy German soldier.

Both have just experienced the violence and trauma of the battlefield. The situation is unexpected and intense, but gives both of them the opportunity to look past their differences and rediscover their humanity.

"Pawns" is a short historical drama, and though only 13 minutes long, packs an epic scope in its short duration with rich cinematic detail, artistic ambition and engaging storytelling.

But despite the impressive scope and production value, the film captures the intimacy of two people looking across the chasm created by war and politics -- and seeing each other as full human beings.

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A British soldier is trapped with a German enemy. Then they rediscover their humanity. | Pawns
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The Box is used with permission from Dusan Kastelic. Learn more at http://omele.to/2YYGkPA.

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In a strange, dark box lives a group of box-headed elderly humanoid creatures with roots instead of legs. Most of these creatures are sunken into a catatonic sleep, unaware of anything outside their hermetic, sealed-off world.

But one of them emerges from the crowd, stunned into consciousness. Young and growing, the creature starts to cause a joyful ruckus, but struggles against the disapproval and rancor of the rest of his box-dwellers. But then the youngster begins to fight back, looking for a way outside the box but coming against its most oppressive forces yet.

Writer/director/animator Dusan Kastelic's short animation is a surreal yet exuberant allegory about the pleasures and perils of non-conformity, being an individual and pushing through obstacles to a new level of consciousness.

The narrative takes the phrase "outside the box" and spins it into a deeply imaginative, hypnotic narrative that resembles a fairy tale. Not a sanitized children's version of a fairy tale, however: the film instead resembles the original European fairy stories, which were dark, psychologically complex and disquieting in their emotional violence.

The images are nightmarish, with their evocations of distorted flesh and murky colors. But the expressiveness of the creatures and attention to detail -- created in open-source 3-D software Blender -- are remarkable from a technical and emotional level, and draw in viewers with a powerful combination of gesture, sound and storytelling.

Despite the claustrophobic world portrayed in the film, there are splashes of zany humor and joy, particularly as the younger creature expresses its unbridled childlike self. The musical score and sound design by Mateja Staric go a long way to create contrast between stultifying conformity and youthful individualism, as well as keeping the narrative at a consistently engaging pace.

Despite its strange appearance, the uninhibited joyousness and high spirits of the newly emergent creature are so much like the energy of children, and viewers cannot help but relate. Yet "The Box" becomes genuinely sad and painful as the youngster is repeatedly brought down and cut down to size, and confronts the mechanisms of the box itself that keep its inhabitants docile and in the dark.

Watching that struggle becomes a powerful metaphor for the oppression and conformity that we all face, whether it's the box that society puts us inside or the ones we put ourselves in. To watch the creature struggle against a dark, narrow world is hard, and yet, as the creature discovers, as long as you can feel a spark of an essential self, there is always a way towards the light.

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The box is full of miserable creatures -- but one of them doesn't belong there. | The Box
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Exit Strategy is used with permission from Travis Bible. Learn more at http://omele.to/2ydacgG and http://omele.to/2OgiEWq.

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Math genius Shane reunites with his estranged brother over breakfast one morning. He has an unusual request: he knows something bad is going to happen in the future, and he needs his brother's help to prevent a tragedy.

The pair embark on a complex series of events, but must work together despite their history of conflict and resentment. And -- they're also caught in a time loop, which complicates their efforts to prevent the future catastrophe.

Writer-director Travis Bible has crafted an energetic, smart sci-fi thriller that easily pulls an audience in with smart, clever storytelling, rapid-fire dialogue and briskly compelling pacing.

The camerawork and direction is equally confident, adding to the short's sharp, propulsive rhythm. The result is a compelling cinematic experience that is genuinely entertaining without sacrificing intelligence or craft.

Fans of sci-fi will be familiar with the convention of time loops and enjoy this particular riff on the subgenre. But the film also works on the level of a relationship story, with genuine emotional engagement and growth between the two brothers. Though we don't get to spend a lot of time with them, they're able to develop with full arcs as characters, making the ending surprisingly moving.

"Exit Strategy" is being developed into a feature, and with its intricate world and clever thrills, the stories and characters should easily expand into a larger narrative. As a short, it's authentically fun, fast-paced and surprisingly resonant -- in other words, everything people head to the multiplex for.

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A man in a time-loop must work with his brother to prevent a catastrophic fire. | Exit Strategy
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Avarya is used with permission from Gokalp Gonen. Learn more at http://omele.to/2MmUrNZ.

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An elderly man floats in a spaceship throughout the galaxy, with only a robot for a companion. The ship is arranged just like his favorite room on Earth, even down to the smallest dust particle, according to the robot. But the man is anxious to leave the ship for a bigger life. Together, they travel throughout the galaxy searching for a new habitable planet, since Earth has become uninhabitable.

The robot, however, is sworn to keep humans from coming to harm. Every alternative planet discovered is not good enough for the man to live, according to the robot. But the man is tired of being stuck on the ship, no matter how comfortable it is. Desperate to leave, he rebels against his robot -- only to discover just how seriously the machine takes its charge to protect the man, even from himself.

This visionary short animation -- written, directed and created by Turkish director Gokalp Gonen -- opens with Isaac Asimov's Three Laws of Robotics. Robots must not allow humans to come to harm, must protect their existence, and do not have to follow orders that would conflict with these directives. Asimov's rules have been the springboard for many other sci-fi stories. But rarely have they been explored with such sumptuous sense of visuals or flair for evocative atmospherics that makes for a genuinely mesmerizing cinematic experience.

In a genre where either pristine minimalism or Victorian-influenced steampunk reign as the dominant visual style, the beautifully baroque and ornate art of "Avarya" stands out. The ship's room has a rich, textured look reminiscent of Art Deco, with its books and antique furniture full of decorative flourishes. It could be any well-appointed library anywhere, but for the view of the space and planets outside the room.

But the film's distinctive aesthetic is encapsulated in the singular look and feel of the robot, notable for its peacock-like "crown" or headdress, which flares in and out as it calculates and communicates with its charge. Combined with its cape-like torso, the robot evokes a courtier or seneschal in a foreign imperial court and all the obsequiousness and subterfuge it evokes.

The robot is the other half of what's essentially a two-hander in the storytelling, and emerges as the primary obstacle for the man, who is beset with dreams and visions of the outside world. Though the pacing is meditative, enveloping viewers instead of pulling them along, the film never ceases to enchant the eye and evoke the sense of a darker mystery at work: the true nature of the robot and its mission, which has evolved from its original directive into something more sinister. In doing so, it has created a whole world -- one that becomes almost claustrophobic in its opulence and inhumane in its self-contained isolation.

As a beautiful puzzle-box of a story, "Avarya" is so packed with symbolism and ideas, with a core of enigmatic thought and feeling that requires multiple viewings to fully appreciate. Though its basic narrative through-line is simple enough to grasp when first watched, the storytelling works on a dreamlike, subconscious level -- much like it does for the main character -- with motifs and images that repeat with suggestive potential. And like a dream, the shape-shifting of visions can reassure or inspire us to keep striving for the larger impulses for home or truth. Or, if left unsatisfied, they can eventually turn terrifying in their ability to haunt us.

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A man is trapped on a spaceship after his robot overseer finds every planet uninhabitable. | Avarya
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One man drives across the vast and barren landscape of Australia's Nullarbor Plain, which has the longest stretch of straight road in the world.

As the brash young upstart traverses the epic vista, he passes a slower, more laidback motorist and almost gets into an accident. Seeking payback, he goes after the old codger.

But the other motorist proves himself surprisingly intrepid despite his clunky old car and his slow pace. As the younger man tries to outpace him and encounters one obstacle after another, the older man slogs along steadily, adding a new, boisterous twist in this update of the classic "tortoise and hare" tale.

This entertaining and visually striking short animation -- by directors Alister Lockhart and Patrick Sarell, in collaboration with The Lampshade Collective -- is the simplest and most pared-down of stories. Essentially the narrative revolves around a duel between two rivals, with one trying to pull one over the another. Bur rather than pistols or guns, they're dueling with cars, on a road that gives them to ultimate terrain to battle upon.

The writing is equally as stripped-down, but the pacing and editing -- as well a terrific, Western-flavored score -- keep things brisk and compelling despite the lack of dialogue. The storytelling also injects its simplicity with great humor and impeccable, striking 3D craftsmanship -- and also honors the unique landscape of Australia. Both the conflict and humor derive from two vastly different people who function at different tempos with different values sharing the same road. (There's also a few rude bits as well that punctuate the storyline.)

The animation's visual style is earthy and surreal, evoking the colors of the Nullarbor Plain as well as the stretched-out, elongated silhouettes that almost seem to melt underneath the unrelenting desert sun. The characters feel almost like rock figures that have come to life. Yet despite the stylization, the visuals are able to evoke the awe-inspiring desolation of such a long, straight, seemingly endless stretch of road.

But there's a lot of space for anything to happen, and in the end, "Nullarbor" exploits animation's ability to portray anything to create a final scene that's both epic in its destruction yet oddly and beautifully evocative of the Australian spirit itself. The result is a slapstick, ironic and weirdly poignant ending to an anarchic, rambunctious road movie to end all road movies: one where no one wins over the highway itself.

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A man with road rage confronts an elderly driver. Then all hell breaks loose. | Nullarbor
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I created this video with the YouTube Video Editor (http://www.youtube.com/editor)

Interesting docu/film about all kinds of stuff and it tends to go towards the extreme from time to time but still a very entertaining flick.
It is pretty long but worth a watch as it discusses important issues and gives new insight into issues you might not have heard about.

It also gives you the sources at the end and during the feature.

Three ex-cons buy a luggage shop to tunnel into the bank vault next door. But despite all they can do, the shop prospers...
Director: Lloyd Bacon
Writers: Everett Freeman (screenplay), Edwin Gilbert (screenplay)
Stars: Edward G. Robinson, Jane Wyman, Broderick Crawford
NOTE: Anthony Quinn as Leo Dexter

Two Irish Catholic brothers become vigilantes and wipe out Boston's criminal underworld in the name of God.
Director: Troy Duffy
Writer: Troy Duffy
Stars: Willem Dafoe, Sean Patrick Flanery, Norman Reedus

A cafe worker is violently jolted from her day-to-day existence when offered the startling revelation that this world may be on the brink of destruction, revolution, or both. The UK Actor RIK MAYALL died right after this movie was completed at the age of 56, it turned out to be his last film. The acting isn't the greatest, but the WARNING MESSAGE IN THIS MOVIE IS PRICELESS. Back in 2014, this movie predicts an upcoming PLANdemic/SCAMdemic that will be pushed by the United Nations to usher in a NEW WORLD ORDER Communist Police State with Complete Martial Law, FEMA Prison Camps, and a 90% population kill-off by the Powers That Shouldn't Be.
SERGEANT MAJOR'S TRUTHER INFO
[MeWe] https://mewe.com/join/sergeantmajorstrutherinfo
[Spreely] https://www.spreely.com/page/SergeantMajorsTrutherInfo
[Gab] https://gab.com/Sergeant_Major
[Bitchute] https://www.bitchute.com/channel/sergeant-major/
[Brighteon] https://www.brighteon.com/channels/sergeantmajor
[Lbry] https://lbry.tv/$/invite/@SergeantMajor'sTrutherInfo#21f9aff7cc7c7903e1554b8ca3134badae40e9eb
Rik Mayall Dies aged 56 (Star of The Young Ones)!!! (Tribute Music Video)
https://www.youtube.com/watch?v=VFZ_EGboZ-E
Note: The SERGEANT MAJOR'S TRUTHER INFO group with 33,500 members was deleted by FaceBook/Government on 01/24/20. The SERGEANT MAJOR'S TRUTHER INFO channel with 50,000 subscribers was deleted by YouTube/Government on 02/14/20.
"The 5 rules to AWAKENING: Rule #1 - Everything you were ever taught is a lie by design; Rule #2 - governments lie 100% of the time, they always have, and they always will; Rule #3 - the Illuminati controlled mainstream media is not reality, but rather is lies, disinformation, half-truths, and fake events carried out by gov/media hired crisis actors (aka role players); Rule #4 - Spirituality and Reincarnation are reality, whereas religions are simply government crowd control measures; and Rule #5 - this plane(t) called earth is a flat, motionless plane, it is not a spinning ball hurling through outer space. Furthermore, the 4 Sources of Disinformation that are ALWAYS FAKE: government, mainstream media news, matrix sciences, and religions." -- Sergeant Major

Follows Michael Corleone, now in his 60s, as he seeks to free his family from crime and find a suitable successor to his empire.
Director: Francis Ford Coppola
Writers: Mario Puzo, Francis Ford Coppola
Stars: Al Pacino, Diane Keaton, Andy Garcia

A frustrated man decides to take justice into his own hands after a plea bargain sets one of his family's killers free.
Director: F. Gary Gray
Writer: Kurt Wimmer
Stars: Gerard Butler, Jamie Foxx, Leslie Bibb

tangentopolis feat. Rob Roy
=============
(world orders review)
=============
ROB ROY (the Highland Rogue) [1953]
(HOLLYWOOD Adaption)
------------------------------
'he's more than one man your grace... the plowman on the hill is Rob MacGregor... the man who carries the water from the spring is Rob MacGregor... 'the boatman on the loch is Rob MacGregor... and even the wee lad who fetches in the cows, is Rob MacGregor... '
------------------------------
A Scottish man comments:
"A grand wee film though in truth, after Culloden in 1746 the Clansmen and the great ancient families were mercilessly hunted down and hanged, flogged, transported to the colonies and the villages burned out; women, children everything!. Cattle herds were 'requisitioned' and the Highlands were cleared completely!
If ya bore the surname of a rebel you had to hide it, the remnant had to start using surnames like 'Green' & 'White' to avoid a hanging. It was a cataclysm! The Highlands and the way of life there never returned. After the clans were destroyed the oak & scots-pine forests were felled.
Even today most of the Highland territory is one big empty park owned by the Queen with nothing except deer. The very same thing happened to the Irish clans a century before. The lucky one's escaped to France or the Americas - and stories trickled back of Highland Lairds living in attic rooms in French Cities without the respect of even the chamber maids..."
-- Fiach MacHugh
---------
(mirror) @ Kalvė95: https://www.bitchute.com/video/9eP4oRMKvFrq/
----------

Deze schitterende korte film laat zien dat er altijd een uitweg is en als je die ziet zie je ook mogelijkheden die niet voor mogelijk werden gehouden. Wat had jij gedaan als je geen armen en benen meer had?

De film heb ik uiteraard niet gemaakt maar een ondertiteling ingebouwd voor de Nederlandse kijkers.

Op het hoogtepunt van de Grote Depressie, ontdekt een showman van een gerenommeerde circus een man zonder ledematen die wordt uitgebuit maar na een intrigerende ontmoeting met de showman wordt hij gedreven om te hopen tegen alles wat hij ooit heeft geloofd.

Director: Joshua Weigel
Writer: Joshua Weigel & Rebekah Weigel
Producers: Joshua Weigel, Rebekah Weigel, Angie Alvarez
Executive Producers: Jon & Esther Phelps, Jason Atkins, Nathan Christopher Haase, Bob Yerkes, Ed Vizenor & Nathan Elliott
Director of Photography: Brian Baugh
Production Designer: Yeva McCloskey
Editor: Chris Witt
Cast: Eduardo Verastegui, Nick Vujicic, Doug Jones, Matt Allmen, Mark Atteberry, Kirk Bovill, Lexi Pearl, Connor Rosen
Original Score: Timothy Williams (Composer)

http://www.thebutterflycircus.com/

All credit for this video is © to its respective owners.

Long Road Ahead by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/)
Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100588
Artist: http://incompetech.com/

The official full length version of FINDING JOE: A story about Joseph Campbell and The Hero's Journey.

Starring:

Deepak Chopra
Rashida Jones
Robin Sharma
Sir Ken Robinson
Mick Fleetwood
Brian Johnson
Robert Walter
Rebbecca Armstrong
Alan Cohen
Tony Hawk
Laird Hamilton
Gay Hendricks


In the early 20th century, while studying world mythology, Joseph Campbell discovered a pattern hidden in every story ever told and he called it “The Hero's Journey”. A truly inspirational film, FINDING JOE takes us on the ultimate hero's journey: the journey of self discovery. As you slay dragons and uncover treasures, you just may find that the holy grail you seek is closer than you think.

If you've seen this film then you know how much of an impact it could make in the world!

A message from the Producer:

"If you haven't seen it then you are in for a treat! This is hope, courage and love all wrapped up in an 80 minute burrito of inspiration. I promise who ever you share this with thank you. Please share this with as many people as you can... the world needs this message now! With Maximum Love ~ Patrick Takaya Solomon"

Embark on a visionary journey through the fragmented unconscious of our modern times, and with courage face the Shadow. Through Shadow into Light.

“No tree, it is said, can grow to heaven unless its roots reach down to hell.”
-C.G. Jung

Written, Directed & Produced by Lubomir Arsov
Original Soundtrack “Age of Wake” by Starward Projections
Composited by Sheldon Lisoy
Additional Compositing by Hiram Gifford
Art Directed & Edited by Lubomir Arsov
___
'IN-SHADOW' is an entirely independently funded, not-for-profit film. If you'd like to support the artist, DONATE here: (click 'donate' tab) https://www.inshadow.net/

Gallery quality ART PRINTS available here: https://www.inprnt.com/gallery/inshadow/

Film Website: https://www.inshadow.net/
Facebook: https://www.facebook.com/inshadowmovie/
Music Composers: https://www.starwardprojections.com/
Contact: light@inshadow.net

© Lubomir Arsov 2017

A former prisoner of war is brainwashed as an unwitting assassin for an international Communist conspiracy.
Director: John Frankenheimer
Writers: Richard Condon (based upon a novel by), George Axelrod (screenplay)
Stars: Frank Sinatra, Laurence Harvey, Janet Leigh

In a future where people stop aging at 25, but are engineered to live only one more year, having the means to buy your way out of the situation is a shot at immortal youth. Here, Will Salas finds himself accused of murder and on the run with a hostage - a connection that becomes an important part of the way against the system.
Director: Andrew Niccol
Writer: Andrew Niccol
Stars: Justin Timberlake, Amanda Seyfried, Cillian Murphy

In a future world devastated by disease, a convict is sent back in time to gather information about the man-made virus that wiped out most of the human population on the planet.
Director: Terry Gilliam
Writers: Chris Marker (film La Jetée), David Webb Peoples (screenplay) (as David Peoples) | 1 more credit »
Stars: Bruce Willis, Madeleine Stowe, Brad Pitt

In a futuristic totalitarian utopian society, babies are created through genetic engineering, everyone has a predestined place in society and their minds are conditioned to follow the rules. A tragic outsider jeopardizes the status quo.
Directors: Leslie Libman, Larry Williams
Writers: Aldous Huxley (book), Dan Mazur (teleplay) | 1 more credit »
Stars: Peter Gallagher, Leonard Nimoy, Tim Guinee

An exploration of how the actions of individual lives impact one another in the past, present and future, as one soul is shaped from a killer into a hero, and an act of kindness ripples across centuries to inspire a revolution.

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